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Fired, grained and torn at the edges. For work with a hand in it.
For a maker who exhibits as well as sells, and whose work has been somewhere before it reached the shop.
Live — scroll inside the windowWalk around it →
The page. Unfired clay, never white.
Type, the footer ground, and the tear between them.
The band behind the catalogue — the one colour change above the footer.
Held back for hover. The only green on the page.
Hairlines. Never a fill.
Built for a maker who exhibits as well as sells — a ceramicist, a printmaker, a small studio with a history worth listing. It assumes the work has been somewhere before it reached the shop.
Every join is deliberately imperfect. Sections meet along a torn edge rather than a ruled line, and a fine grain sits over the whole page, so a stack of blocks stops reading as a stack of blocks. Sections arrive as you scroll rather than all at once.
Two sections come with it and exist nowhere else: a dated list of shows and awards, which a testimonial block is the wrong shape for, and the torn divider that breaks the page up.
Plain, first-person, specific about process. Say how many were made and what happened to them. Never say artisanal.
Ashfield Clay
Wheel-thrown stoneware from a shed in Castlemaine. Fired twice, sold once.
Vessels · Tableware · Seconds
An invented business, used to build and preview the theme. Nothing here is for sale.
$79 once, for one shop, yours for good — there is nothing to renew. Buying it changes nothing until you apply it, and applying it keeps the words you have already written.
Buy Kiln · $79You will be asked to sign in and pick which of your shops it is for. Payment is handled by Stripe.
Drawn for artists and makers. What a shop for this work needs covers the rest of it.
If you want this one adapted to your shop, or something built from nothing, that is a conversation rather than a checkout. ex@akashi.studio